www.yugovinyl.blogspot.com
Приказивање постова са ознаком GRAMOFONSKA PLOCA. Прикажи све постове
Приказивање постова са ознаком GRAMOFONSKA PLOCA. Прикажи све постове
уторак, 21. јул 2015.
Veliki izbor EX YU gramofonskih ploča u Yugovinylu
www.yugovinyl.blogspot.com
Yugovinyl record shop sale all of the kinds of records from ex Yugoslavia
It is our aim to make all these titles available to all the fans of Yu music and collectors of Yu editions of foreign performers(Beatles,Queen,Rollingstones,E
Yugovinyl record store Belgrade
IN THE MOON CAGE mozete kupiti u Yugovinylu
The new label has dug out music from the Serbian electronic music pioneer's vast archive.
A new label called Offen Music will launch with In The Moon Cage, a record from Serbian artist Rex Ilusivii.
Offen Music is the project of Vladimir Ivkovic, a resident DJ at Düsseldorf's Salon Des Amateurs. Ivkovic's first move with Offen is to shine some light on Rex Ilusivii, real name Mitar Subotić, who died after a fire in his studio in Brazil in 1999. (He also recorded music as Suba.) Ivkovic has assembled an archive of Subotić's music made between 1980 and 1991, much of which has never been released. In The Moon Cage, which dates back to 1988, will be presented as a double 12-inch with six experimental electronic compositions. You can listen to clips over at Rush Hour.
Tracklist
01. Moon Cage I
02. Moon Cage II
03. Moon Cage III
04. Moon Cage IV
05. Moon Cage - Annex 01
06. Moon Cage - Annex 02
Offen Music will release In The Moon Cage in June 2015.
Offen Music is the project of Vladimir Ivkovic, a resident DJ at Düsseldorf's Salon Des Amateurs. Ivkovic's first move with Offen is to shine some light on Rex Ilusivii, real name Mitar Subotić, who died after a fire in his studio in Brazil in 1999. (He also recorded music as Suba.) Ivkovic has assembled an archive of Subotić's music made between 1980 and 1991, much of which has never been released. In The Moon Cage, which dates back to 1988, will be presented as a double 12-inch with six experimental electronic compositions. You can listen to clips over at Rush Hour.
Tracklist
01. Moon Cage I
02. Moon Cage II
03. Moon Cage III
04. Moon Cage IV
05. Moon Cage - Annex 01
06. Moon Cage - Annex 02
Offen Music will release In The Moon Cage in June 2015.
Documentaries about vinyl and record collecting
Although there are numerous great shorts floating around on YouTube focusing on vinyl culture, digging and record collecting, here is a list of some must-see feature length documentaries and mini-series that capture all that it means to be a vinyl fanatic and look at record collecting from every possible angle.
Records Collecting Dust (2015, 57 min)
Written and directed by San Diego based musician and filmmaker Jason Blackmore, Records Collecting Dust documents the vinyl record collections, origins, and holy grails of alternative music icons Jello Biafra, Chuck Dukowski, Keith Morris, John Reis, and over thirty other underground music comrades. "...a documentary film about the music and records that changed our lives"
Vinyl (2000, 180 min)
A documentary by canadian filmmaker and record collector Alan Zweig who investigates the wacky world of record collecting and tries to get to the bottom of his obsession. In the film, Zweig seeks not to talk to people who collect records to discuss music, but rather to discuss what drives someone to collect records in the first place. Zweig spends a large portion of the film in stylized self-filmed "confessions", where he expounds on his life in regard to record collecting, feeling it has prevented him from fulfilling his dreams of a family. Between others, collectors who he taks to include a car wash employee who claims to own over one million records and claims to have memorized the track listing of every K-Tel collection he owns, a government employee who refuses to organize his collection because he doesn't want people to come over and a man who threw out his large record collection rather than sell or give it away because he didn't want anyone else to own it.
Sound it Out (2011, 75 min)
A documentary portrait of the very last surviving vinyl record shop in Teesside, North East England. A cultural haven in one of the most deprived areas in the UK, the film documents a place that is thriving against the odds and the local community that keeps it alive. Directed by Jeanie Finlay who grew up three miles from the shop. A distinctive, funny and intimate film about men, obsession and the irreplaceable role music plays in our lives.
Our Vinyl Weighs a Ton: This Is Stones Throw Records (2013, 94 min)
Our Vinyl Weighs A Ton is a feature-length documentary about avant-garde Los Angeles-based record label Stones Throw Records. The film weaves together rare concert footage, never-before-seen archival material, inner-circle home video and photographs and in-depth interviews with the artists who put Stones Throw Records on the map. Our Vinyl Weighs A Ton gives an exclusive look into the label's left-of-center artists, history, culture, and global following. The film features exclusive interviews with Kanye West, Snoop Dogg, Common, Questlove, Talib Kweli, Mike D (The Beastie Boys), Tyler the Creator, and many more.
Scratch (2001, 92 min)
Directed and edited by Doug Pray, the film explores the world of the hip-hop DJ from the birth of hip-hop when pioneering DJs began extending breaks on records, to the invention of scratching and beat juggling, to the more recent explosion of turntablism. Throughout the documentary, many artists explain how they were introduced to hip-hop while providing stories of their personal experiences. While Scratch is not a movie about vinyl collecting, it's a definitive chronicle of the history, theory, and practice of turntablism.
I Need That Record (2008, 77 min)
A documentary feature by Brendan Toller, examining why over 3000 independent record stores have closed across the U.S. in the past decade. Greedy record labels, media consolidation, homogenized radio, big box stores, Ecommerce, shoddy "stars" pushed by big money, and the digital revolution all pose threats on the very well being of our favorite record stores and the music industry at large. Will these stores die? Will they survive?
Desperate Man Blues (2003, 52 min)
The documentary focuses on an eccentric record collector, Joe Bussard, who has devoted his life to preserving the raw music of the American South, including blues, hillbilly, bluegrass, gospel and jazz. In combing the region for masterpieces primarily from the 1920s and '30s, Bussard has amassed more than 25,000 records. Bonus features include rare footage of John Lee Hooker performing "Never Get Out of These Blues Alive" and Son House with "Death Letter Blues.".
Vinylmania: When Life Runs at 33 Revolutions Per Minute (2012, 75 min)
A trip into the grooves, Vinylmania is a 75 minute feature length documentary about an object that has never lost its soul: the vinyl record. An epic love story, the film is filled with fascinating characters and internationally recognized artists including Philippe Cohen Solal (Gotan Project), Winston Smith (Dead Kennedys, Green Day record sleeve artist), Peter Saville (Joy Division, New Order record sleeve artist) and Dj Kentaro (2002 DMC World DJ Champion). Devotion, ecstasy, infatuation, agony - all feelings that the director of the film, Paolo Campana, has experienced from childhood and shares with like-minded record collectors, Djs, musicians and artists (the said vinylmaniacs) in the documentary. Set in 11 different cities worldwide, the director sets out on a global road trip to find out what role vinyl records play in the 21st century.
Last Shop Standing: The Rise, Fall And Rebirth Of The Independent Record Shop (2012, 50 min)
Last Shop Standing inspired by the book of the same name by Graham Jones takes you behind the counter to discover why nearly 2000 record shops have already disappeared across the UK. The film charts the rapid rise of record shops in the 1960's, 70's and 80's, the influence of the chart, the underhand deals, the demise of vinyl and rise of the CD as well as new technologies. Where did it all go wrong? Why were 3 shops a week closing? Will we be left with no record shops with the continuing rise of downloading? Hear from over 20 record shop owners and music industry leaders as well as musicians including Paul Weller, Johnny Marr, Norman Cook, Billy Bragg, Nerina Pallot, Richard Hawley and Clint Boon as they all tell us how the shops became and still are a part of their own musical education, a place to cherish and discover new bands and new music.
When Albums Ruled The World (2013, 90 min)
A BBC documentary that tells the story of the long playing album - the unsung hero in popular music's epic history. Between the mid-1960s and the late 1970s, the long-playing record and the albums that graced its grooves changed popular music for ever. For the first time, musicians could escape the confines of the three-minute pop single and express themselves as never before across the expanded artistic canvas of the album. The LP allowed popular music become an art form - from the glorious artwork adorning gatefold sleeves, to the ideas and concepts that bound the songs together, to the unforgettable music itself. Built on stratospheric sales of albums, these were the years when the music industry exploded to become bigger than Hollywood. From pop to rock, from country to soul, from jazz to punk, all of music embraced what 'the album' could offer. But with the collapse of vinyl sales at the end of the 70s and the arrival of new technologies and formats, the golden era of the album couldn't last forever. With contributions from Roger Taylor, Ray Manzarek, Noel Gallagher, Guy Garvey, Nile Rodgers, Grace Slick, Mike Oldfield, Slash and a host of others, this is the story of When Albums Ruled the World.
Red Beans & Rice (2010, 60 min)
A film which tells of the world of record collecting as seen through the eyes of the collectors themselves. Listen as they share there thoughts on the subject of vinyl digging as you enter the realm of the last true culture where music is key and collecting is a part of life. Rather more upbeat immersion in stacks of wax as an array of hardcore diggers trace the roots of their vinyl love and show off prize obscurities while the camera lovingly pans across musty record-shop basements and apartment walls covered with floor-to-ceiling shelf units.
Red Beans & Rice 2: Audio Vibes (2011, 60 min)
The part two of Red Beans & Rice spins up another cool set of spine-tingling tales from the world of the record collector. Look. listen and learn from our latest bunch of vinyl addicts as they wax poetic over the captivating hobby known around the world today as "vinyl digging."
John Peel's Record Box (2005, 51 min)
A documentary film made by Elaine Shepherd, for BBC's Channel 4. It is about a small private collection of the British radio DJ John Peel who died in 2004 at the age of 65. His archive contained more than 100,000 vinyl records and CDs. This collection contains 143 singles - some of them doublettes - stored in a private wooden box representing some of his own favourites. According to the documentary, there are no singles by Peel's favorite group, The Fall, because he kept them in a separate box. The film features interviews with John's wife Sheila Ravenscroft, radio DJs and artists like Mary Anne Hobbs, Sir Elton John, Ronnie Wood, Roger Daltrey, Fergal Sharkey, Jack White, Michael Palin and Miki Berenyi.
Record Store Day: The Documentary (2011, 28 min)
In an age of digital downloads, the documentary looks at why fans still love and need to love vinyl records. The film uses archive footage and current interviews with leaders of music explaining an audiophile's holiday and some of their favorite records and what Record Store Day means to them.
Secondhand Sureshots (2008, 30 min)
This documentary film by the dublab.com creative collective is an experiment in sound recycling. Secondhand Sureshots features four amazing, LA-based beat makers: Daedelus, J-Rocc, Nobody and Ras G in a secret mission to create new musical magic from the dusty remains of thrift store vinyl. Shot on location at Out of the Closet Thrift Stores and bedroom studios in Los Angeles.
Re-Vinylized (2011, 30 min)
The film celebrates the culture of independent record stores while examining the effects of downloading and the recent resurgence of vinyl record sales. The documentary profiles a number of Chicago's independent record stores, and features interviews with store owners, employees and customers as well as insightful commentary from national music critics Jim DeRogatis and Greg Kot (of National Public Radio's "Sound Opinions" program).
Crate Diggers mini-series by Fuse
The award-winning digital series by Fuse, profiles musicians through the thing they hold most dear - their record collections. New episodes every other Wednesday!
What's In My Bag? mini-series by Amoeba Music
Award-winning series featuring artists and tastemakers sharing what they found shopping at Amoeba.
Povratak gramofonskih ploca
Renesansa vinila
Pominjanje gramofonskih ploča kod starijih ljudi izaziva sentiment i nostalgiju za starim vremenima, a kod mladih ignoranciju i podsmeh na tehnološku zaostalost. Između ovih polova se nalazi ogroman prostor savremenog tretmana vinila koji je afirmativan i okupira sve veći broj ljudi.
Današnji ljubitelji muzike kombinuju razne formate slušanja, mp, cd, longplejke, čak i kasete. Vinil zahteva vreme za slušanje muzike i druženje sa omotom u rukama, praćenje teksta ili razgledanje dizajna. Sve je svojevrsni ritual. Svaka ploča je jedan muzički projekat koji nam obezbeđuje zvučni i vizuelni doživljaj. Muzički album je upakovan u omot, čiji dizajn vizuelno prati karakter muzike, a mnoga grafička rešenja omota ploča su antologijska. Razvoj omotnica od 50-ih do 80-ih godina daje nam uvid kako su se razvijali umetnost i dizajn u drugoj polovini 20. veka, a omote su potpisali Andy Warhol, Mapplethorpe, Jugoslav Vlahović.
Kvalitetni gramofon, pojačalo i zvučne kutije pružaju savršen analogni zvuk koji može da bude lepši i topliji za slušanje od digitalnog zvuka, basovi su dublji, a bubnjevi puniji. I dolazimo do suštine ovog eseja – kako doći do najboljeg zvuka. Muziku je najbolje slušati sa nosača koji su distribuirani u vreme kada je ta muzika nastala. To znači da rok, bluz i džez do recimo 1988. je najbolje slušati sa ploča, jer su kanali podešavani za analognu tehnologiju. Sve posle te godine je kvalitetnije slušati na digitalnim nosačima jer je to tehnologija koja je pratila tehnologiju snimanja u studiju. U skladu s tim, pitamo se kako slušati klasičnu umetničku muziku? Najbolji zvuk dobićemo ako je slušamo uživo, bolje od najsavršenijeg digitalnog nosača, jer je ta muzika pravljena za klasične instrumente. Rok muzika se izvodi na analognim instrumentima koji su priključeni na struju i najbolji zvuk prave kvalitetni analogni uređaji. U muzici današnjice sve pršti od digitalnog, samo se pomeraju dugmići.
Slušanje long play vinilne ploče nam dočarava zvuk albuma kao celine od prve do poslednje pesme. Ploču moramo da postavimo na nosač zvuka – gramofon i da je pokrenemo što je proces koji traje neko vreme, a od slušaoca se traži da se više koncentriše na sadržaj i poruke muzike i tekstova. Album je forma koja zaokružuje stav, domet, muzički izraz i kreativnu celinu izvođačа. Pesma za pesmom nam prenosi priču. Kada slušamo album za albumom Beatlesa, pratimo njihovu evoluciju. Naravno, autori su morali da se prilagode tehnološkom ograničenju da na jednu stranu može da stane oko 23 minuta muzike, odnosno najveći broj pop-rok abuma traje 45 minuta, ima oko 10 pesama. Tu nema shuffla, cimanja muzike, preskakanja na sledeću pesmu. U download kulturi, tehnologija je ubila muziku. Istina, ona obezbeđuje dostupnost sve muzike na svetu, ali ta predoziranost muzičkog materijala je izazvala da ljudi više nemaju omiljene izvođače, a rok trajanja omiljenih pesama je kratak. Takav pristup slušanja muzike predstavlja halapljivu potragu za što većim brojem mp3 pesama i kreiranje navrat-nanos kompilacija. Ljudi su izgubili strpljenje za dublje analitičko slušanje muzike i uopšte poimanje života i sveta. Zato svoj revival danas doživljavaju vinil, vintage, retro stilovi, tradicionalne kafane, urbane bašte i mnogo toga još.
Današnje gramofonske ploče se izrađuju od 180-gramskog vinila, stabilnije su nego što su bile nekad i odolijevaju pucketanju, mada su skupe jer su to zvanična izdanja. Di-džejevi svakako više vole vinil od cd-a. Stare second-hand ploče iz predigitalne ere moguće je nabaviti u prodavnicama ploča i na berzama koje se organizuju u svim većim gradovima sveta. Berze i sajmovi su sjajni događaji jer omogućavaju da se ljudi okupe, susretnu, razmene utiske i muzičke preporuke. Znamo kako je bilo nekada – Dođi kod mene da slušamo ploče – bio je sofisticiran poziv na seks. Glavni frajeri su bili oni koji sudovlačili originale iz Londona. Ostali su se zadovoljavali licencnim izdanjima Jugotona, Suzy, ili PGP RTB-a. Zato i danas postoje frikovi u Beogradu, Zagrebu i drugim gradovima koji u svojim kolekcijama imaju po 10.000 naslova. Kultura vinila živi i manifestuje se na različite načine. Društvo za istraživanje popularne kulture iz Zagreba je 2008. organizovalo seriju izložbi omota gramofonskih ploča u galerijama u Zagrebu, Osijeku, Dubrovniku, Rijeci, Ljubljani, Splitu i Puli. Muzički esejista i novinar Ivan Ivačković je nedavno objavio knjigu Priče iz Tajnog grada, koje analizira vreme kada su ploče bile od životne važnosti, do vremena kada su ploče i naši životi prodavani u bescenje. Konačno, u celom svetu je ustanovljen Dan prodavnica ploča, svake treće subotu u aprilu, kada se okupljaju ljubitelji ploča i muzičari, koji tada specijalno objavljuju svoja ekskluzivna i veoma retka izdanja na vinilu.
Aleksandar Stanojlović
Ključne reči: gramofonske ploče, analogni zvuk, omoti ploča, kultura slušanja muzike, vinil, album
http://mixer.hr/vijesti/ducan-iz-birminghama-prodaje-75-tisuca-ploca-svaka-po-funtu
Spisak prodavnica ploča, sajmova i berza ploča u gradovima na jugoslovenskom prostoru u poslednjih nekoliko godina, koji neguju kulturu vinila. Berze ploča su povremeni događaji koji se održavaju sa više ili manje uspeha, sa dužim ili kraćim trajanjem, neki se održe jednom, neki traju godinama. Da li je neki od sajmova i dalje aktivan, najbolje je proveriti putem interneta.
Beograd
“Leila”, Kralja Petra41, www.leila.rs
“Jugovinil”, Toplička 35, http://yugovinyl.blogspot.com
“Pinball Wizard records”, TC “Eurocentar”, Makedonska 30
www.pinballwizardrecords.com
“Mikser Audio Market”, audio berza i berza gramofonskih ploča, Mikser House, Karađorđeva 46
house.mikser.rs
Berza gramofonskih ploca i originalnih cd-ova, Kafe “Good Times”, Dalmatinska 74, nastavak dugogodišnje Berze ploča u SKC-u
www.berzaploca.blogspot.com
Klub “Gun”, Berza ploča, ugao ulica Miloša Pocerca i Sarajevske
Zagreb
Free Bird Music, Tratinska 50, www.freebird.hr
Roxy, Savska cesta 34, www.cdshop-roxy.com/
Karma, Podgorska 3, www.karmavinil.com
Dirty Old Shop, Tratinska 33, www.dirtyoldempire.com
Spirit Of Music, Tomašićeva 1, www.spiritofmusic.hr
Dobar zvuk, Preradovićeva 24
Kibela Music Shop, Vitezićeva 82, www.kibelavinylmusicshop.webs.com
Močvarin sajam ploča i stripova, Klub “Močvara”, Trnjanski nasip bb
http://mochvara.hr/mochvarnih-sajam-ploca-i-stripova
Ljubljana
Berza gramofonskih ploča, Biljardna hiša, Parmova 25
www.biljardna-hisa.com
Mednarodni sejem gramofonskih plošč in filmskih plakatov, Galerija KUD France Prešeren, Trnovo, Ljubljana.
www.kud.si/index.php
Sejem rabljenih vinilnih plošč, Metelkova/Channel Zero
www.metelkovamesto.org
Sarajevo
Kibela Vinyl Music Shop,Kazazi 4, Baščaršija
Skoplje
“Maksimum rekords”, Naum Naumovski-Borče 48
Novi Sad
Berza vinila, Klub “Fabrika”, klub “Quarter”, Bul. Despota Stefana 5
Berza gramofonskih ploca i originalnih cd-ova, Cafe “Sonja”, Vladimira Perića Valtera 3
Berza ploča, Omladinski centar CK13 ili “Crna Kuća”, Vojvode Bojovića 13
Maribor
Berza ploča, Gramofonoteka, Koroška cesta 21
www.facebook.com/gramofonoteka
Mednarodni sejem gramofonskih plošč, Dvorana ŠTUK
Berza ploča, u sklopu festivala Re:Fresh
www.refreshmaribor.net
Rijeka
Diskodrom sajam u Rijeci, udruga “Spirit”, Blaža Polića 2
www.spirit-ri.hr/
Sajam Vinila i CD-a, Klub Mladih (kod Teatro Fenice), Erazma Barčića 9a
www.klubmladihrijeka.hr
Niš
Berza ploča “Truba caffe”, Svetozara markovića 8
facebook.com/truba.kafe
Berza ploča i diskova, Bašta hostela Niš
Berza ploča, Klub “Feedback”
Bašta Irish Pub-a
Kruševac
Berza vinila, Fipina kafana (bivši Tailor’s pub), Zakićeva 21
Sajtovi za prodaju ploča, gramofona i opreme
www.gramofoni.com
www.magic-records-shop.com
www.njuskalo.hr/gramofonske-ploce
www.discogs.com
Stand up people: Gypsy pop songs from Tito’s Yugoslavia
November 6, 2012
Following a successful Kickstarter campaign, the historical
compilation of hard-to-find Roma pop classics is set for release in
2013
Part of the record collection amassed for the compilation / Photo: Philip Knox
This long-distance love triangle spawned a journey to the former Yugoslav republics to recover the endangered gems from the jaws of oblivion and preserve them for future hip-twisters and head-bobbers.
Beginning in the 1960s and lasting until around 1980, this particular breed of pop music flourished in Tito’s Yugoslavia, where Roma culture was able to collide with contemporary European and American influences. Feeding off these and other diverse sources, while keeping their feet grounded in the rich and colorful Roma heritage, these Gypsy virtuosos spun some dainty delights, music as tight now as it was forty odd years ago.
The emotional range and talent of these artists will send you on a journey of self-discovery: you’ll cut the rug to some sylvan accordion keys, weep relentlessly to the swoons of tragic lovers, and maybe even find your next favorite morning bus ride foot tapper. In short, Tito’s Roma rockers give Fleetwood Mac a run for their money.
Philip Knox and Nat Morris with the legendary Esma Redzepova. Note the multiple portraits of herself in the background.
After collecting their euphonic booty, the duo ran a successful Kickstarter campaign to fund the release of a compilation of the music they collected, the result of their yearlong adventure. Now we can all feast our senses on the visceral wealth they brought back with them.
In the meantime, Knox sat down to answer some questions about his wacky escapades:
What is it about Roma music that got you jazzed up in the first place?
Roma music is incredibly diverse, with different regions fusing and incorporating different musical traditions. Nat and I had always been interested in the Balkans, and there were lots of great Roma bands from the region who had broken through to the UK: Koçani Orkestar, Fanfare Ciocārlia, Mahala Rai Banda. They’re all amazing. I suppose part of the reason that the ROma have such a great musical tradition is that they were exlcluded from mainstream jobs for such a large part of their history. But, also, music really is a central part of life for Balkan Roma.
I suppose part of the reason that Roma music has become a global success is its rawness and passion. But it’s also about subtlety and control, it’s about tone. That’s what makes it so compelling.
While traveling through the Western Balkans did you ever get lost in translation? If so, do you have any stories to tell us?
After getting a haircut from Redžep Musa in Šutka, Macedonia
Our worst case of lost-in-translation blues was when tried to hitchhike from Belgrade to Sarajevo. We had to be in Sarajevo in two days for meetings, but we were broke. We hitchhiked as far as Northern Bosnia on the first day, and were told that we could get a short bus ride to a place where there were cheap coaches to Sarajevo. We asked the driver to drop us there, a crossroads of tiny mountain tracks with a petrol station. The arsehole of nowhere. The guys in the petrol station were the first unfriendly people we’d met on that trip.
We eventually convinced them to call us a taxi to the nearerst place to stay – the taxi was their friend, a tattoo artist whose car had no back seats. The hotel, in Milica, was owned by a mining franchise, with framed pictures of mining machinery everywhere and a huge statue of Vladimir Putin in the town square. We were only a few miles from Srebrenica. Dark times.
Anything interesting to eat or drink while abroad?
I love Macedonian food. Lots of amazing tomatoes and aubergines and garlic. One day in the market in Skopje we bought a delicious hard sheep’s cheese and had it on bread with black honey from bees fed only on tea flowers. One of the best meals ever.
As far as drink goes, I have a weakness for rakija. The best stuff is always made at home, and of all the home-brews we tried, my favourite was made by the grandfather of the owner of Yugovinyl, a brilliant little record shop in Belgrade. When we whent there to check out his record collection he plied with the stuff until the bottle was empty. This is probably why we bought so many records there.
What was the funkiest smell you encountered? How about your worst bathroom experience? Give us the scoop on your poop.
The worst smell in the Balkans is the stink of bullshit coming off most of the politicians. We were in Macedonia for its national holiday last year, where they unveiled an enomrous and obscenely expensive bronze statue of Alexander the Great in the town square.
Meanwhile, up the hill in Šutka, the biggest Roma settlement in the world, there are still huge infrastructure problems, bad roads and rolling blackouts. Of course, Alexander the Great wouldn’t be a political bargaining chip for the nationalists if it weren’t for Greece blocking Macedonia’s claims to be called Macedonia or associate itself with anything that might be considered Macedonian. Corruption is rife in Serbia, Bosnia, everywhere, and people’s lives aren’t getting any easier. Very stinky indeed.
They say nightlife is pretty wild around these parts. Tell us about your craziest nocturnal romp with the Romas.
Black Panthers, things getting out of hand. Spoonman is there, too
On the weekends they mostly play Serbian folk music, always a crowd pleaser, and people are dancing on the tables by midnight.
We went another time, mid-week, where the vibe was much more intimate but very raw. We stayed still five in the morning chain-smoking and drinking with the owner and roaring along the words to Roma music classics from the region – the players really weren’t holding back.
At one point a massive motor yacht turned up and docked beside the bar and all these young Serbians jumped in. Everyone was sharing the fun and the love of the music. It was a great night.
*More info: standuppeople.co.uk
DJ-i su vratili stari vinil na novu scenu
Povratak gramofonske ploče: Za album trubača iz Jajca kolekcionari daju i 1.000 eura
Pojavom CD-a početkom 90-ih godina prošlog stoljeća učinilo se kako gramofonska ploča zauvijek odlazi u prošlost. No, vrijeme je pokazalo kako punoću zvuka izbrazdanog vinila po kojem 'grebe' gramofonska igla nije lako nadmašiti.
Najbolje mjesto za razgovor o pločama u Zagrebu bez sumnje je sajam ploča, stripa i plakata u klubu Močvara koji se održava dvaput godišnje. Ove zime predstavilo se dvadesetak domaćih izlagača i gost iz Slovenije. Ugodno je vidjeti kako dio publike i prodavača čine mladi ljudi, tinejdžeri upečatljivih frizura s gitarama preko leđa, hipiji, punkeri, metalci… Na pitanje u koliko se boja proizvode vinili, odgovor je jasan - u svim bojama, iako su crni uobičajeni.
Najskuplja ploča trubača iz Jajca
Prvo mjesto među najskupljim ex-yu pločama već neko vrijeme pripada srpskom džez trubaču Dušku Gojkoviću, rođenom u Jajcu. Njegov album "Snap Shot" iz 1983. godine među kolekcionarima postiže vrtoglavu cijenu od hiljadu eura. Gojković je jedan od pionira fuzije džeza sa elementima balkanskog folklora, ostvario je značajnu karijeru u inozemstvu i objavio 15 samostalnih albuma. Ploče koje je izdao na prostoru bivše Jugoslavije sad se cijene, jer kolekcionari traže upravo originale.
Drugo vinilno iznenađenje, kojeg je neko možda zaboravio na prašnjavom tavanu, elektronski je novosadski sastav iz '80-ih imena Rex Ilusivii čiji album vrijedi, ako su ploča i omot očuvani, oko 300 eura.
Gramofonske ploče kao životni izbor
Darko Mikulec, ekonomist i zaljubljenik u muziku, napustio je profesionalnu karijeru bankara prije skoro 20 godina i posvetio se trgovini pločama, a danas mu u poslu već pomažu sinovi Ian i Martin.
Posao s pločama Darko je započeo preko interneta i na sajmu na zagrebačkom trgu, pa njegov štand sada nosi ime 'Stari diler sa Cvjetnog trga'. Stanje na tržištu, kaže, mijenja se iz dana u dan. Sajmovi su nastali kad su se ploče početkom 90-ih prestale otiskivati, ali potražnja za njima nije prestala, unatoč pojavi CD-a.
"Najveći sajam ploča odvija se dvaput godišnje u Utrechtu gdje redovno odlazim 15 godina. To je jedini sajam na svijetu gdje dolaze prodavači iz cijelog svijeta, tako da se prodaje roba od Meksika do Japana i najjača europska roba - engleska“, priča Darko koji ima većinom engleske i ex-yu ploče štampane u bivšem Jugotonu, RTB-u i Diskotonu, najjačim izdavačkim kućama nekadašnje Jugoslavije.
Ploče su, kaže za AA, tražene jer kolekcionari žele drugačije omotnice, drugačije ploče ili jednostavno muziku s ovih prostora.
Od ulaska Hrvatske u Evropsku uniju Darko se više ne mora brinuti kad prelazi preko granice s rabljenim pločama. Carinici propuste njegov kombi pun vinila prema Milanu, Parizu, Beču ili Barceloni, što prije nije bilo moguće. Darko ne odlazi na sajam kako bi samo prodavao, nego i kupovao i mijenjao se s drugim kolekcionarima.
Vrijednost ovisi o omotu, godini i izdanju ploče
Cijene ploča stalno variraju ovisno o stanju na tržištu, a tržište je i internet, odnosno eBay kao najveća aukcijska kuća u kojoj ljudi iz cijeloga svijeta izlažu i prodaju ploče.
Darko ili "Stari diler sa Cvjetnog" kaže da je prije desetak godina bio jako tražen rock 70-ih, grupe poput Drugog načina, Yu-grupe, Korni grupe ili Igre staklenih perli, a sad se najviše traže ploče iz 80-ih godina; punk, novi val ili ploče koje imaju neke specijalne dionice zanimljive DJ-ima koji su oduševljeni pločama starim i po 30 godina.
Neki od domaćih vinila prije deset godina imali su cijenu od svega nekoliko eura, dok danas vrijede i po više stotina eura. Vrijednost ploče ovisi o očuvanosti omota i samog vinila, kao i o godini i izdanju.
DJ-i su vratili stari vinil na novu scenu
'Revival' ploča pojavio se kad su ih DJ-i počeli slušati i nabavljati kako bi radili vlastite mikseve za partyje, čime su dali veliki obol povratku vinila na sajmove i na internet tržište.
"Početkom 90-ih godina, kod nas je većina kolekcionara prodala svoje gramofonske ploče i prešla na CD, dok se danas primjećuje suprotan trend, a to je da CD kao nosač zvuka sve više slabi i prodaja u svijetu mu pada, dok se gramofonska ploča vratila na mala vrata i prodaja joj raste godišnje od 50 do 100 posto.
To još nisu nekadašnje naklade, ali se svaki novi album izdan u svijetu štampa i na vinilu u nakladama od 5.000 do 10.000 primjeraka.
Najveća tvornica za štampanje gramofonskih ploča u Evropi je u Holandiji, u Haarlemu. Tamo se mjesečno štampa preko 500.000 novih vinila, a imaju i pogon za izradu omota, priča Darko.
Za dobar zvuk, osim dobre ploče, potreban je i dobar gramofon kojega se može nabaviti u svim boljim dućanima, preko oglasa ili na sajmu antikviteta. Vrijedne su podjednako singlice i longplejke, a prema mišljenju audiofila, jedini nosač zvuka koji se kvalitetom može mjeriti s vinilom je magnetofonska vrpca.
среда, 27. новембар 2013.
Berza gramofonskih ploca u Novom Sadu
Делимично облачно 2°C / -1°C
ako moze april u beogradu, moze i decembarska berza u novembru, enivej, posto imamo nameru da pravimo i novogodisnju 28.12, ovu smo pomerili malo ranije...e da, sad imamo i agregat, tako da elekotrodistribucijo skapaj u jarmu bola.
среда, 30. октобар 2013.
Berza gramofonskih ploca u Nisu
Berza gramofonskih ploca u Nisu — у/на Truba Cafe.
Berza
ploča odrzace se drugi put u Truba cafe-u u Nisu,ulica Svetozara
Markovica 8. u nedelju 03.11.2013 od 11-15h.Ulaz je slobodan!
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